2008/2009
Charities
 
How to Use
This Catalogue

2008/2009 Charities
  1. Abby Kelley Foster House, Inc.
  2. Acme Theater Productions, Inc.
  3. Actors' Shakespeare Project
  4. Affordable Housing and Services Collaborative, Inc.
  5. A Baby Center
  6. Barnstable Land Trust, Inc.
  7. Beacon Academy
  8. Bird Street Community Center
  9. Boston Musica Viva
  10. The Bostonian Society d/b/a Boston Historical Society
  11. Boys & Girls Club of Lawrence
  12. Cape Cod Children's Museum
  13. Chameleon Arts Ensemble of Boston
  14. Chernobyl Children Project USA, Inc.
  15. Citizens for Juvenile Justice
  16. Community Boating Center, Inc.
  17. Community Outreach Group, Inc.
  18. The Community Software Lab, Inc
  19. Crispus Attucks Children's Center
  20. Diabetes Association Inc.
  21. Employment Options, Inc.
  22. Fair Housing Center of Greater Boston
  23. Forward in Health
  24. Framingham History Center
  25. Gloucester Stage Company
  26. Greater Lawrence Community Boating Program, Inc.
  27. Ibis Reproductive Health
  28. Infante Sano
  29. Jones Library ESL Center
  30. Little Brothers-Friends of the Elderly
  31. Martha’s Vineyard Donors Collaborative
  32. Mass Humanities
  33. Massachusetts Clubhouse Coalition, Inc.
  34. Massachusetts Coalition for the Prevention of Medical Errors
  35. Massachusetts State Science & Engineering Fair, Inc. (MSSEF)
  36. MissionSAFE: A New Beginning, Inc.
  37. MMAS, Inc.
  38. New England Forestry Foundation, Inc.
  39. Orphans of Rwanda, Inc.
  40. People Making a Difference through Community Service, Inc.
  41. Photographic Resource Center at Boston University
  42. Pro-Choice Massachusetts Foundation
  43. The Progeria Research Foundation, Inc.
  44. Safe Havens Interfaith Partnership Against Domestic Violence/Third Sector New England
  45. South Coast Chamber Music Society
  46. Southeastern Massachusetts Agricultural Partnership, Inc.
  47. Springfield Symphony Orchestra
  48. Strategies for Children, Inc.
  49. SuAsCo Watershed Community Council
  50. The Theater Offensive
  51. Theatre Espresso
  52. Urban Edge Housing Corporation

All Charities
 

FAQS

How are the charities selected?

By a competitive process—this year we received 550 applications for about 90 places—54 new listings and 36 Progress Reports; usually the applicant/selection ratio is 3-4:1. Costs limit the size and number of copies, and thus of charity descriptions. A wide readership (120,000 copies), and our desire to interest as many readers as possible, commend the widest variety of organization types and fields of activity with three related but distinct charities on each 2-page spread. Since our purpose is donor education and our subject is philanthropy, we look for donor-educational value, and philanthropic “excellence.” We always have more excellent charities applying than can be accepted, so we favor new listings, and encourage applicants to re-apply until they are selected.

What do you mean by “excellence”?

We have found, reviewing thousands of applicants over 11 years, that to “excel”—to “stand out” from the rest—is clear but not reducible to a list of attributes mechanically applied, as on a check-list. They include cost-effectiveness; outstanding idea or approach to a problem; success and accomplishments; and recognition by others, e.g., awards and influence. Urgency of need helps but is not necessary. Reviewers report that identifying excellence is not difficult—the best ones “shine.” Thus “incandescence” is an important criterion. We select a team of reviewers (this year 25) from diverse constituencies of philanthropy, known to be knowledgeable, experienced, and sound in judgement, and we trust them to recognize excellence when they see it.

Why is the Catalogue such a “high-end,” elegant, publication? Wouldn’t that money be better spent in philanthropy by simply giving it to the poor?

No, because the Catalogue is a multiplier—it attracts far more money for the poor (and everyone else) than it costs. We originally designed it as a “high-end” publication because everyone we interviewed in focus groups said their first response to receiving it would be to wonder if it was “legitimate.” Distrust and disrespect for philanthropy inhibits charitable giving, so we made the Catalogue so elegant, welldesigned, high-minded, well-written, packed with useful information, and showcasing such excellent organizations, that legitimacy would be obvious. Also, we wanted it to be so beautiful, interesting, and of enduring value, that readers would not easily throw it away. Our goals are: first, to attract people to open it, then to scan through it, then to save it for later, then to review it deliberately, with interest in images, then text, then to use it in charitable giving, and finally to save it for future reference, display on a coffee table, or as a conversation piece. This has succeeded; charities want to be in it, donors and foundations keep it and use it.

Why did I receive the Catalogue? How are the recipients chosen?

The most cost-effective way to distribute this many Catalogues is to buy a list each year from a respected list-house, of people with estimated incomes above $200,000, and/or net worth above $10 million. The IRS says there are 121,000 Massachusetts taxpayers at that level; our list-house estimates there are 120,000 such—close enough. Marketing research firms and list houses compile and distribute such data, continually refined; our list is said to be 94% accurate—tops in the industry. However all lists are imperfect, and we regret all errors in ours, as unavoidable.

How do you evaluate the Catalogue’s results? How much money do you raise?

Our main purpose has been “donor education, to increase and improve charitable giving.” Secondary purposes are to attract new donors with major-gift potential to our listed charities, whom we train to help those donors learn more about philanthropy— this is a collaborative donor-education program. Success in education is not easily measured, though one indication of our effectiveness is the respect accorded the Catalogue by donors, charities, and foundations. Another is that the Catalogue has brought excellent people to our excellent charities, resulting in great stories of empowerment and benefits for everyone. When excellent charities are presented in an excellent way to excellent people, there will be excellent results.

The most common result, reported by almost every charity, is that being listed in the Catalogue improved their overall fundraising effectiveness, by increasing their respectability with donors and grantmakers—but this, too, is difficult to measure as traceable to the Catalogue. First-year results are important, but often donors begin a new relationship with a charity with a relatively small gift, to test the waters; if they are well treated, and encouraged to become more interested and involved, their gifts increase quite substantially (because these donors have major gift potential)—which is difficult for small charities to track and report over a period of years.

Dollars are evidence of successful donor-education communications, but tracking the totals of donors and dollars has been challenging and we don’t have exact numbers. Since year two (1998), we have encouraged donors to deal directly with the charities, because they prefer to do that, but this forfeits our control of the data. We ask the charities to report to us all Catalogue-generated donations, but adequacy of reporting varies widely—these are small charities, relying on volunteers at crucial points, and data collection and reporting are not their highest priorities.

Here’s what we do know: Our largest single gift is a $10 million pledge to a capital campaign. Another charity received over $1 million from a single donor, over several years. Two family foundations took an interest in one Catalogue charity and between them donated $340,000. One charity received a grant of $100,000 from a new family foundation; another gained 50 new donors and $19,000 from their first listing; another received $8,000 from Catalogue readers, which was one-third of their total personal donations that year. We have many anecdotes from charities reporting four- and five-figure donations, and thousands more of lesser amounts.

For donors who feel more comfortable working through us, we provide a Giving Form in the Catalogue, which we can track. Donors select specific charities, or donate to a field of philanthropy, and 100% of their gift goes to the charities. Since 1998, charities have received 4,142 of these donations for a total of $1,847,719. Recently, donors have also been able to give on our website via Network for Good; since 2003, 720 of these have totalled $139,710.

The data we would most like to have, which we have tried hard and creatively to get, is that of donors giving directly to charities over a period of years. Computerization and the Internet are steadily improving our ability to get and manage this data, so at least the outlook is bright.

What we do know is that, by their own testimony, the Catalogue has strengthened the fundraising of almost all our listed charities—though we have no way of quantifying that result; we have directly raised for them, at no cost to them, at least $15 million, and this is 4-5 times our costs, which we have separately raised, over and above what we have raised for them.

What else do you do, besides the printed Catalogue?

The print Catalogue has always been part of a system of mutually-reinforcing parts. Our website (www.cfp-ma.org) is a cumulative, universally accessible, Catalogue, which we are dramatically enhancing this year with the addition of an Atlas of Philanthropy in Massachusetts (see above, p.6 ). Our annual publication, in various forms, of IRS data on income and charitable giving has become the nation’s leading stimulus for media discussions of giving in relation to income; this year’ version is the Opportunity Index (pp. 68, above). We promote governor-declared State Giving Days (see back cover) nationwide (11 in 2006) to reinforce charities’ annual appeals. In all the above we have worked to develop a clearer, more positive and useful vocabulary, conceptualization, and rhetoric for philanthropy, which is summarized in a short book, Philanthropy Reconsidered (available through our website).

These are all tools that can be used for philanthropy anywhere—Massachusetts is our R&D laboratory, as it were. We make them available to other markets and institutions either free of charge, or by licensing. Surrounding these efforts have been various informal activities: helping other Catalogues and similar projects to get started nationwide—currently there are two in the works, in Montana and southern California; advising Massachusetts charities pro bono on all kinds of questions they bring to us; and providing philanthropic advisory services to individuals, families and foundations, on the basis of our research and unequalled data on Massachusetts charities.

How are you funded?

Private grants and donations from institutions and individuals who believe philanthropy should be promoted. We hope you will join us.

Dear Reader

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